| May
/ June 2005
Why
hiring is like a three-act play
AND
HOW GREAT BEGINNINGS HELP ENSURE STRONG ENDINGS
ARISTOTLE
DIVIDED DRAMA into three parts – a beginning (where a
situation is introduced), a middle (where the situation unfolds)
and an end (where the situation is resolved, for better or worse).
For example:
Introduction
– Prince Hamlet agonizes over the death of his father,
whom he believes was murdered by the new king (Hamlet’s
uncle, Claudius).
Development
– Hamlet devises an elaborate scheme to expose King
Claudius.
Resolution
– Numerous bad people and good people die, including
Claudius and Hamlet.
Shakespeare
actually wrote the tragedy in five acts, as was the custom
of the day, but the principle of a beginning, a middle and
an ending remains. Hiring is no different.
In the
beginning, a position opening occurs – generally for
one of four reasons: someone got promoted, someone was fired,
someone quit, or the position is new.
During
the middle, one or more methods are used to identify and attract
candidates for the position. Interviews eventually take place.
As in Hamlet, twists and turns of fate occur and, before you
know it, the middle act turns into several acts.
At last,
however, a candidate is hired, and the curtain comes down
– one hopes to rave reviews.
Is it
drama? Is it comedy? Sometimes it seems to be a little of
both, and we are not quite sure whether to laugh or cry. The
drama began most seriously, with a critical position opening
demanding to be filled. Then there were those couple of pratfalls,
which changed the tone entirely. (Remember the interviewee
who spilled soup in his lap?) And when the nod went at last
to the internal candidate, it seemed almost like an anticlimax.
Sound
hiring benefits from careful plotting
Great playwrights create great drama by paying
careful attention to both plot and character development.
Four centuries after Shakespeare wrote Hamlet, scholars still
explore the denseness of character and intricacies of plot;
it is probably the most performed play in history –
beginning with its famous graveyard scene and ending with
dead bodies all over the place (like modern-day layoffs).
DO
EMPLOYERS pay the same degree of attention when they devise
a hiring plan for a critical position opening? Good ones do,
of course. Less adept practitioners often fall victim to fuzzy
thinking and obscure outcomes, hoping to make up the plot
as they go along. (“I’ll know the right person
when I see him.”) Candidates meanwhile find it difficult
to audition for their roles, having received only the vaguest
description of the part they are supposed to play.
Strong endings result from strong beginnings,
and it is difficult to spend too much time at the start of
a search nailing down those factors that will lead to a successful
conclusion – the employment of that individual who will
make a genuine difference in organizational performance. The
benefit of strong endings led Sanford Rose Associates (SRA)
to make “Finding people who make a difference”
more than just its registered service mark, but also its commitment
to the kind of up-front probing and planning that helps avoid
false starts and leads to superior end results in the shortest
possible period of time.
Many organizations equip their outside search
consultants with a job description and feel they have done
their duty. The problem with job descriptions is that they
are better at profiling the position than describing the right
person to fill it.
To overcome
that obstacle, SRA created Dimensional Search®
– a process designed to match candidates to positions
in three different dimensions: personal skills vs. job requirements,
past accomplishments vs. future job needs, and management
style vs. corporate culture. People’s skill sets are
an important qualification for many positions, particularly
those requiring specific academic or on-the-job training to
perform. But it is also important to peel the onion and discover
exactly what a person has done that prepares him or her for
the specific challenges that lie in wait on the new job. Last
but not least, is the individual’s preferred style consistent
with the new work environment; for example, some organizations
like take-charge kinds of people while others value consensus
builders.
While
this sounds like a lot of work, Dimensional Search
pays dividends for client and search consultant alike. On
the client side, it helps clarify those “what counts”
factors that can spell success or failure on the job. For
instance, do we want someone who will come in and shake up
things or who can keep the ship on a steady course? And what
past accomplishments give us confidence that a particular
candidate will do exactly that? On the search consultant side,
it means that the executive recruiter will not be chasing
candidates who are dead in the water or likely to die on the
new job.
ACT
TWO – “The Search for Mr. or Ms. Right”
– tells the story of the identification, attraction,
presentation and interviewing of those potential perfect fits.
Here we learn how long the play will be and whether it is
tragedy or farce.
Armed with a detailed search profile and the
client’s commitment to candor and cooperation at all
times, the executive recruiter can work quickly and quietly.
Candidates’ strengths are matched point by point with
the critical factors of the open position, the client reacts
promptly and early interviews are arranged.
On the other hand, if search parameters begin
to shift (or were never established in the first place), interviews
get postponed and no candidate ever seems to be quite right,
then a rocky road lies ahead. This may be a sign of blurry
corporate vision, internal disagreements or old-fashioned
indecision. Typically, bad searches grow worse over time and,
like Gen. Douglas MacArthur’s old soldiers, just fade
away.
Vagueness
is the enemy of fast, effective searches
LET’S
BE OPTIMISTIC, however. The curtain rises on Act Three, the
climax of our drama.
But wait:
the outcome is still in doubt. Our heroine the candidate (whom
we promise not to name either Gertrude or Ophelia) has survived
the slings and arrows of outrageous fortune, aced the face-to-faces
and passed the written test. The personality test says she’s
a go, her prospective new company appears to be a happening
place, and she has come to regard her current employer as
“so over.” There’s only one hitch, and that
concerns the offer of employment – which is nowhere
to be seen.
A (fortunately)
shrinking number of organizations continue to embrace the
recessionary mentality of 2002 and 2003, when no decision
was the best decision and risk outweighed reward. They understand
the concept of strategic hiring for competitive advantage
– but just aren’t ready to practice it quite yet.
But wait
again: the phone rings, and it’s her search consultant
on the line with very good news. “Acme wants to offer
you the position of Senior Director for $145,000, plus bonus
and stock. Can I tell them you will accept?” Acme is
indeed a happening place, and the slight delay was used to
create dramatic tension.
Another
pause, then Ms. Right accepts.
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